George and Chiquita in Piedmont Park. Pentax MX, SMC Pentax 50/1.7, Fuji Provia 100F. Tone enhancements in PS CS5.
While the monument in the picture above is what we want to be remembered with, the simple crucifix and inscription in the picture below are what inspires a moment of reverence. The first… Continue reading
The Murphey Candler lake within Atlanta. The sign in the third picture amused me because public authorities deemed necessary to seek to protect people against their over-confidence in their resourcefulness. Praktica BC1, Praktica… Continue reading
BNSF locomotive in downtown Atlanta. Also seen on the second picture, are the locomotive, a public transit train (MARTA), and a car on I-20. Praktica BC1, Praktica MC Pentacon 50/1.8, Ilford HP5 Plus… Continue reading
As part of my experiment on Light, Surface, and Color, I also took pictures with a black and white Fomapan. I think I like this film better than the widely popular Kodak T-Max. Praktica… Continue reading
In early March, I conducted an experiment on how the Kodak Portra 400 would react to the reflection of light over various types of surface and in different light conditions. The experiment was… Continue reading
Pentax MX, Helios 58/2, Pentax Mount Adapter K, Kodak Portra 400. Unedited.
Pentax Spotmatic, Helios-44M-4 2/58, Expired Kodak Gold 100. Unedited.
Shot by the railroad track between Buckhead and Midtown. Canon AE1 Program, Canon FD 50/1.4, Kodak Portra 400. Unedited.
While scanning my film last night, I realized that the structure supporting the old bridge looked like walls for an outdoor art gallery. This new perspective made the subject of these pictures even… Continue reading
Taken last summer at the corner of a parking lot in an industrial park. Pentax MX, SMC Pentax 50/1.4, Fuji Superia X-Tra 400. Unedited.
Shot in the Old Sweet Auburn neighborhood. Canon AE1 Program, Canon FD 50/1.4, Kodak TMax 100, Auto-tone enhancement in PS.